hut drawing by euan gray

Euan Gray’s Hut Drawings

Our hut builder Euan Gray is a true artist. Not only is he creating a unique, cinematic, charming hideaway hut for our film, he has also created this stunning set of hut-inspired artworks to get hut-lovers in the mood for the finished design.

The drawings were created by Euan to give a sense of the tone and style of the film, and of the hut itself, and he is generously offering them as perks for contributors to our crowd-funding campaign. For a contribution of £60 or more, you can have this set of 4 prints. The perfect addition to your own hideaway, or the perfect Christmas gift for anyone who longs for a hut of their own.

The 4 Prints

print04 copy (1)


print02 copy

print03 copy (1)

Claim Your Prints

– Find out more about Euan Gray and his ideas for Gillies’ hut design.
Visit our IndieGoGo page to support our film and get your set of four hut-inspired prints.

Euan Gray Hut Builder on Gillies’ Hut Design

When we found out architectural designer and fabricator Euan Gray was up to the challenge of creating Gillies’ hut for Fireworks we were delighted. Euan both designs and builds most of his projects, following the design process from conception right the way through to installation. With an impressive portfolio stretching from buildings to installations to furniture, he is a true master of his art.


Hannah Robinson and Jonathan Hall’s award-winning script and colourful characters attracted Euan to the project, and he can’t wait to get started. Euan says:

“I’m really looking forward to designing the hut for Fireworks – it’s a great script and I could see it all playing out when I read it, the characters interacting in different places in and around the hut. I’ve tried to get some of those ideas of the eccentric, intimate spaces through into the design – as well as making it work technically.”

Euan’s hand-crafted huts are often chic, Nordic style retreats. Gillies’ hut, though, will be anything but neat! He explains:

“It’s fun to be able to work on something that needs to look homemade, odd and ramshackle, rather than neat, refined and perfectly finished!”

The personalities and complexities of the film’s characters are reflected in his design, which promises to be truly exciting and completely unique. He highlights the challenges of this particular project:

“Filming presents a whole different set of technical challenges – you’ve got to be thinking about where the camera will film from, where the lights will be hidden, where the shots can be framed – windows, doors and walls will all need to be removable just to get the filming angles right in such a small space!”

Euan points out that designing for film is not the only challenge he faces in creating Gillies’ hut; being a part of an indie comedy filmed in Scotland means his structure also has the weather to contend with! No mean feat, but a challenge he accepts with pleasure:

“That unseen technical dimension is actually a bigger challenge than the aesthetic design – but both are equally enjoyable.”

Gillies’ hut is set to be a stand-out piece, beautifully designed and hand-crafted by Euan. If you’re tempted by the idea of owning an iconic piece of film memorabilia which doubles up as a perfect hideout you can have Gillies’ hut delivered to your door as one of the perks of our IndieGoGo crowdfunding campaign.

His beautiful collection of hut drawings inspired by his designs are another perk, coming as a set of four prints of original drawings that are an affordable gift in time for for Xmas.

We’re certainly glad Euan was up to the challenge and can’t wait to see the finished hut. Visit Euan’s website to see more of his designs, and visit our IndieGoGo page to claim Gillies’ hut as your very own, very special, hideout.

Knit Your Own Carlo Volpi Scarf

We are very excited to announce a special new perk – a designer knitting pattern and illustration for Kat’s scarf.  Brilliant knitwear designer Carlo Volpi has created a unique design for the scarf, using wool from Todds Hand Knits. Carlo is still knitting the scarf – we’ll be posting updates on his progress! Meanwhile, you can now make your own iconic Kat scarf by downloading the knitting pattern and illustration of the scarf via our IndieGoGo page.

A very special scarf…

Carlo with his work-in-progress

Carlo with his work-in-progress

Kat’s scarf is an important object in the film, and we wanted it to be special. When runaway Kat flees London to go find her biological father Gillies, she is wearing the bright, stripy scarf that Ian, who she had always knows as her dad until he died, wears in an old family photo. The scarf is a constant throughout the film, and becomes synonymous with the lead character, Kat.

A very special designer…

scarf illustration by Carlo Volpi

scarf illustration by Carlo Volpi

So we contacted Carlo Volpi, a fantastic knitwear designer. Carlo studied at Goldsmiths before completing his masters at the Royal College of Art. He uses an eclectic choice of stitch structures, gauges and textures, merging traditional knitting techniques, urban landscapes and pop imagery. Take a look at the work on his website – we particularly love the ‘Lipstick Stab Wounds Collection‘.

He has already won several awards for his creative, eccentric designs, including the first prize of The Worshipful Company of Haberdashers’ award and The Worshipful Company of Framework knitters’ award. He was also one of the winners of a design competition for Waddesdon Manor and his work was selected by Rowan and included in an exhibition at Liberty’s as part of The Campaign for Wool. Since graduating, he has been selected as one of the 24 Texprint finalists and was awarded the Body Prize for best fashion fabric. He was also the silver winner of the 2012 edition of the Knitted Textiles Awards sponsored by the UK Hand Knitting association, Knitting Magazine and Creative Exhibition.

Carlo was instantly enthusiastic about making a scarf for our Kat. He writes in his blog on

‘Designing a scarf for the film was incredibly fun: when I met Hannah Robinson she explained how fireworks could metaphorically represent a bipolar personality, on one hand colourful, bright and buzzing but on the other explosive and dangerous as well. In my design I wanted to incorporate these opposing elements, the controlling and manic nature of bipolar versus its creative expressive potential.

 I used a very precise, geometric pattern knitted with some brightly coloured merino wool kindly sponsored by Todd’s Hand Knits.

…and some very special yarns too!

We’re delighted that the brilliant Todds Hand Knits are also supporting the film by supplying the wool for Kat’s scarf. Todds Hand Knits work with some of the world’s top fashion houses, and create high quality yarns in Italy, using precise techniques to get the colours that Carlo needed.  They said:

‘We’re all really excited about the film here at Todds Hand Knits! We’re all lovers of small, independent films especially British indies and to contribute to the project and be a part of it in any way is just fantastic. The message of the film is also an important one, it will get people talking about mental illness and encourage a destigmatization that is very, very necessary.’

Take a look at the Todds Hand Knits website to find the wool that Carlo selected for the scarf. Maybe you could shake things up a little by choosing different colours?

Want to knit Kat’s scarf for yourself? Looking for a gift for a very stylish knitter? Or just love the gorgeous illustration? The pattern and illustration are available as PDF downloads to anyone who contributes at least £15 to our IndieGoGo campaign.

That’s Christmas, and this winter’s threatened mini ice age, sorted.